Well, the first concert of our new season seemed to go pretty well. Wessex put on a good show in aid of the Royal British Legion in the Baptist Church in Cirencester last Saturday. This was also Tom Graff’s debut with us as our new principal accompanist and he played a fiendishly tricky solo piece to mark the occasion.
Performing at Cirencester on 7th October 2017. Photo by Shellon Islip.
This was our first concert in Cirencester Baptist Church and we have to say, it’s very impressive, seating over 500 when full. The £3.7m building was only completed in December 2016 and boasts a superb range of facilities. The acoustic is a bit dry for unamplified singing (lots of carpet, sound-absorbing ceiling tiles, and comfy fabric-covered seating which is a far cry from some of the bum-numbing pews we’ve encountered in other places) but nevertheless, the sound of singing certainly filled the space.
As the concert was marking the launch of this year’s Poppy Appeal locally, there were several Remembrance Songs in the programme. The first of these was Blades of Grass & Pure White Stones – always a powerful reminder of the sacrifices made by so many, and this was followed by the Wessex Male Choir’s chamber group, the Wessex Camerata, performing Only Remembered, in a lovely arrangement made popular by the folk trio, Coope, Boyes & Simpson. During the song, images from World War 1 were projected above the singers, and as the final notes died away like fading memories, the last picture dissolved into a scene of sunlit poppies. The first half concluded with Giorgio Susana’s hauntingly beautiful Io Resto Qui, Addio!, a song that conveys the dying thoughts of an Italian soldier on the Russian Front in World War 2. The Italians fought against a numerically and technically superior Russian force and also suffered terrible loses as a result of the harsh Russian winter. The words of farewell, from a dying soldier, far from his beloved homeland, were also accompanied by black and white images of the Russian Front. The last song of Remembrance, the highly emotional Tell My Father, was performed by Guy Edwards, one of the Choir’s soloists, accompanied on piano by the Choir’s Musical Director, Rhiannon Williams-Hale. It’s fair to say that quite a few hankies were needed after that.
The concert wasn’t all focused on Remembrance though. There were many upbeat numbers too, such as the lively arrangement of El Fusilado (complete with maracas and shaker), and the inspirational What Would I Do Without My Music? The Choir also showed off some of it choreographed moves in the ever-popular Chattanooga Choo-Choo.
Originally, the evening had been planned as a joint concert with a Welsh choir, but unfortunately they had to pull-out. So as not to disappoint the audience though, the evening had a strong Welsh flavour. Despite the Wessex Male Choir being based firmly in England, we sang two pieces in Welsh, and a fair number of the arrangements were by notable Welshmen such as Alwyn Humphries, Haydn James and Mansel Thomas (and a few less notable ones: Grahame Jones and Guy Edwards – who also happen to be members of the Choir!).
With hardly time to draw breath, we’re now preparing for our next concert in Lechlade on Saturday 14th October at St Lawrence’s Church. The concert is in aid of the Village Hall fund, which is needed to replace the old village hall that was burnt down by an arsonist.
For more information about the award-winning Wessex Male Choir – including how to join us – please visit www.wessexmalechoir.co.uk.