Well first of all, I apologize for the long break in transmission. I’d like to tell you that I’ve been too busy relaxing on a sun-kissed Caribbean island, sipping margaritas and as a result, completely forgot about the blog, but sadly, that wouldn’t be true! The truth is altogether more prosaic: what with our Summer Concert and last-minute challenges getting our new CD ready for the big launch, things were just a bit hectic in the early part of the month and I simply ran out of hours in the day given that I still have to earn a crust or face selling the children for medical experiments.
So first off, let me say a huge ‘thank you’ to everyone who came to hear us in our summer concert at STEAM in sunny Swindon. It was a hugely successful concert even if, with well over 400 in the Great Western Hall on a very warm summer’s day, things got a bit sticky! We were especially delighted to welcome a party of 32 from Cowbridge Male Voice Choir who had traveled up from South Wales to hear us.
Wessex Male Choir and The Magnificent AK47 join forces for ‘Byker Hill’
One of the discussion points after every concert, seems to be that of repertoire selection (and ‘Afterglow’ food – but’s that’s another thing altogether!), and this year’s summer concert was no exception. Earlier in the year, we had decided we had to focus on competition preparation and raising performance standards as well as preparing songs to a high standard ahead of recording our long, long overdue new CD. As with any period of competition preparation, it meant that we were not able to spend as much time learning new, funky repertoire as we would have liked. So perhaps not surprisingly, we did get a few comments about the comparative lack of light-hearted songs (especially in our first set) at the summer concert, and it’s something we’ll be addressing with a significant number of new, lighter songs which we start learning from September. But we also had lots of fabulous feedback from audience members including one long-standing supporter who told us that this year’s concert was our ‘best ever’ – which just goes to show how difficult it can be trying to keep all audience members happy when people want different things. As Abraham Lincoln once said, ‘…you can’t please all of the people all of the time’.
Early in the planning stages for the summer concert, we realized that we were unlikely to have many ‘humorous’ items in the programme, so we looked for a guest act that would provide the additional entertainment and humour needed. We briefly considered a troupe of itinerant ferret-jugglers, but eventually opted instead for a somewhat anarchic men’s singing group from ‘north, north Wiltshire’ (The Magnificent AK47) who we knew would deliver the fun element needed for a well-balanced concert overall. Of course, some folk were disappointed that Wessex didn’t get into humorous mode, especially as quite a few of our choristers and audience members fondly recall such classics as Rob Elliott’s arrangement of El Capotin. It would be fun to do that again, although I’m not sure in these days of ‘offence avoidance’ and accusations of ‘cultural appropriation and stereotyping’ whether donning sombreros, gluing-on unfeasibly large droopy moustaches, and pretending to be Mexicans would be acceptable. I also recall another humorous song from our past – Les Gendarmes – for which our choristers were required to don plastic police helmets and carry squeaky truncheons. Unfortunately the excitement invariably proved too much for some and all too often, words and notes were forgotten amidst the deafening sound of squeaking truncheons. So we will have to choose our humorous numbers carefully!
Another comment from one ‘punter’ about the summer concert was that he was unimpressed because didn’t know any of the songs in our first set, which is a rather disappointing thing to hear when, as a Choir, we aim to innovate and introduce new material to audiences (alongside some old favourites, of course). I wonder how on earth some people ever find any songs they like if their minds are closed to new repertoire! It’s also true to say that a lot of the male choirs that have died out in recent years ‘played it safe’ and stuck defiantly to the traditional favourites until their dying breath!
Anyway, our audience numbers are creeping slowly upwards and will one day exceed the large and excited crowd who, a few years back, breathlessly anticipated our opening number having been coaxed into attendance by a badly-spelled promoter’s poster that billed us as the ‘Wee Sex Ale Choir’. Back in the real world, some useful audience polling revealed that although a significant number of audience members hear about our concerts via word-of-mouth from our choristers, there is an increasing number of people who are coming to our concerts who have no connection to choristers. If you discount the possibility that they wondered into the concert by accident, that’s a really healthy sign, especially as we think we are close to the maximum number we can expect from ‘chorister ticket sales’ efforts alone! Other than press-ganging people from the streets of Swindon, the two most successful ways of reaching new audiences appear to be either via our mailing list or via Facebook, and while both are only showing modest numbers at present, both approaches have the capacity to grow significantly!
The other big event for us was the launch of our first new album in over seven years. Called ‘Memory’ (no-one can remember why), we’re pretty pleased with it and initial sales have been very encouraging. (We still have plenty left, so if you would like a copy, please order one via our website at www.wessexmalechoir.co.uk) It’s an eclectic mix of new and old and genres as diverse as pop, opera, music theatre and some traditional male choir favourites.
A week after our own summer concert, a few of us travelled to Cowbridge to hear their concert, which was a lovely event and featured some wonderful soloists as well as some rousingly good singing by Cowbridge MVC under their strangely familiar Musical Director, Rhiannon Williams. A few of us reflected that in terms of sponsorship and audiences, Cowbridge is very well supported – perhaps because the male choral tradition is still very much stronger in Wales than in England. It’s a sad state of affairs that we struggle to get even small amounts of sponsorship for the Wessex and I can’t help but feel it reflects poorly on Swindon businesses and their interest in supporting the arts. So if you’re a local business based in or near Swindon and want to ‘do your bit’, then please get in touch via our website!
That’s all for now!